Cristóbal de Villalpando’s Baroque altarpiece hasn’t left Puebla, Mexico, since 1683. It’s now at the Met, and it’s overpowering.
The first New York museum show devoted to the design maverick Ettore Sottsass lavishly contextualizes his work, from a red Olivetti typewriter to his role in the Memphis design group.
An exhibition at the Smithsonian American Art Museum asks whose images have influenced our view of cities? Would someone who lived in these cities picture them differently than an outsider?
The Broad? Meet the Cheech: A champion of Latino art moves beyond his personal collection to found a new museum.
A high-profile attempt to educate young people about the Holocaust is also balancing the sensitive issue of charging for the exhibition.
Four years after the donation of 2,070 photos created by Annie Leibovitz to a Nova Scotia museum, a government panel is balking at its $20 million valuation.
Mr. de Montebello, the Metropolitan Museum of Art’s former director, will be a director of Acquavella Galleries, effective immediately.
An exhibition at Sotheby’s in New York betrays a broad generational anxiety about the technological future and the role of humans in it.
The court battle, the longest-running in Germany over Nazi-looted works, focused on a painting by Paul Klee that had been seized as degenerate art.
The Institute of Contemporary Art, Boston, is facing repercussions over a controversy surrounding Dana Schutz’s painting “Open Casket.”
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